Reinventing the Life of a Poet in the Modern World

Category: Poetry Technology (Page 7 of 9)

My Poet Ancestor’s Miracle Poem

BagIn 2012 I wrote about my only ancestor (my great-grandmother's niece) who was a poet, Marylu Terral Jeans and her book Statue in the Stone. Last month I received a fascinating email about one of her poems from a man named Patrick in Pittsburgh.

Here's is the story he told:

My mother, Mary, was a Peace Corps volunteer in its early days, right after President Kennedy's assassination. She was so inspired by Kennedy that she joined the Peace Corps as a 24 year-old woman and taught English in the Philippines from 1964 through 1966.  She mother was diagnosed with terminal pancreatic cancer about five years ago and died at age 67. 

While I was going through some of her old Peace Corps souvenirs, I found a small poem which looked like it had been torn out of a magazine by hand.  It was the poem "Love-Armored" by Marylu Terral Jeans.  I found the poem very moving, and obviously my mother did too, as she had kept it with her while thousands of miles away from home in the Philippines for 2 years (long before email, cell phones or other technology made the world seem much smaller).  I kept the poem in a ziplock bag along with some prayer cards left over from her funeral.  I put the plastic bag in a wooden box with a Bible in it. The Bible had been given to me at her funeral.  The box then went into an old oak dresser which came with me through several moves in the last few years.

This past December I bought my first home, a small brick ranch house on a mountaintop piece of land in the Laurel Highlands of Pennsylvania (50 miles East of Pittsburgh). I had a woodburner stove installed into a basement fireplace, and the installer's must have made a mistake when putting in the new chimney liner.  At 3:00 AM on December 12th, I woke up in the middle of the night because I wasn't breathing right and a smell of smoke was all through my house. I went down and checked the fireplace, and the fire in the woodburner was out.  I figured the new stove just wasn't venting properly and went back to bed.  At 7:00 AM I awoke again because I was breathing smoke and this time noticed a haze of smoke all through the house.  (I wasn't supposed to get up until 10AM, because I had worked late the night before).  I walked all through the house trying to figure out where the smoke was coming from but couldn't find any source.  I opened windows to try to air my house at this point. 

Little did I know, the underside of the hardwood floors in my home had been smoldering with fire all night waiting for oxygen. I then noticed smoke billowing up from behind the piece of furniture (an old family heirloom that had belonged to my mother's family) which held the Bible box. I ran downstairs and pulled the tiles of the drop ceiling and the entire underside of my floors were on fire. I dumped an entire fire extinguisher into the ceiling before having to flee my house due to smoke overtaking me. I made it out with just my clothes and wallet in my pocket.

Within a half hour, my entire house had burned and the first floor of the house had collapsed into the basement. It was a total loss fire. The fire had burned so intense inside the brick house that I never even found a trace of my mountain bike (all metal) and other large objects that were completely melted. But while the entire first floor had collapsed and incinerated in the fire, the old oak dresser with the Bible in it had slid down on a piece of broken floor into the basement…and it didn't burn. The area of the basement where it slid into was the vortex of the fire. It was within 8 feet of where my mountain bike and a couch had melted completely with no trace.  The oak dresser was charred, but survived. The Bible in the wooden box had remained completely untouched during the fire. It had literally been in the hottest part of the fire where nothing else survived.

Last week I began looking for the plastic bag containing the old poem which i knew had also been in the Bible box. It was nowhere to be found. I began searching Google for lines of the poem which I remembered, but there were no Google hits for a poem titled "Love Armored".  I couldn't remember the name of the author.  Very sad over the loss of this old poem which meant so much to me, I went back to what remained of my old house last week, took the boards off the windows and tramped around looking through the sludge and debris. Over a foot of water had been dumped into the basement of the house by the fire department during the fire, and it was a mess.  No luck finding anything. A friend of mine had removed the old dresser the day after the fire to dry it out in his garage, and I called him just to see if maybe the bag was still inside.

He called me back and said "This is really spooky. I have the bag, it had been lying near the dresser after the fire. The plastic bag isn't even sealed, and there are ashes in the bag, so it was open during the fire. But for some reason, none of the papers inside the bag are burnt, and there isn't even any water damage to anything in the bag". Just to clarify, a plastic ziplock bag containing paper items was lying unharmed within 8 feet of where a mountain bike and everything else in sight had completely melted in the fire. He sent pictures of the bag and the contents.   Poem A few people had been telling me since the fire that my mother had been watching over me and had awakened me before the carbon monoxide or fire could get to me. When I read the FIRST and LAST lines of the poem, it gave me chills. See the attached photos of the actual bag and poem. 

Love Armored

My love surrounds the house in which you dwell,
The place you work, the streets your feet have known,
With more of tenderness than I can tell,
And prayers I have said for you alone.
If you are lonely, know that I am near;
If you are sad, my faith will comfort you,
The things you value I shall hold most dear;
Your happiness will make me happy, too.

If you are heavy-laden, be at rest…
He who is loved need never walk alone.
He has a cloak, a sword to meet the test,
A shield, a talisman that is his own.
Be sure of this: Though you may travel far,
My love will guard you anywhere you are.

   

Poets on Cable TV

JdPoets on International Cable News!

Last week I went to Phoenix to see the opening show of Cher's Dressed to Kill tour. While Monsieur Big Bang and I were there we flipped through the channels of our hotel's cable and stumbled upon RT TV or Russia Today. Similar to CNN, this cable news station is apparently gaining popularity in the US. According to Wikipedia, "In 2011 it was the second most-watched foreign news channel in the U.S. after BBC World News."

As we tuned in, the show airing referred to RT as "radical thought" and first aired a soapbox video from a gun advocate and his suspicions about the US government. That was followed by the "spoken word artist" Jamie Dunmore reading an environmental poem called "My Call to Humanity" in full and live on the program. I was stunned at how much airtime this show gave him. And then, as if that wasn't radical enough, they interviewed him about his thoughts on how to challenge government propaganda and consumerism! Crazy!

Watch his peformance on RT
See the RT Interview
Read the poem
See other YouTube performances
Connect with the poet on Twitter

GhostadvPoets on Ghost Hunting Reality Shows!

When I came home from seeing Cher in Phoenix, I immediately had started a week of nightshift work supporting the website of ICANN during their Singapore meeting. To keep myself awake, I watched crime shows like Snapped or anything on ID network, or, if Monsieur Big Bang is up, we like to watch ghost shows.

I must say, I'm not always convinced these shows find any ghostly evidence. I think most of what spooks us can be explained by normal events. The rest is either wishful seeking or will explained some day by future scientific discoveries. That is not to say I don't believe in life after death or ghosts per se. I am just not convinced these shows have found the chatty corpse. However, I am addicted to these shows nonetheless.

I'm fascinated by what spooks us and am  fascinated by a good old ghost story, the ability to tell a story that seizes the heart of the listener and manipulates their fears. There's a craft to it. Torhoue

So I was thrilled last night when I came upon an episode of Ghost Adventures from Season 7 in 2012 called "Tor House." The house was built in Carmel, California, by poet Robinson Jeffers and show spends a good portion of the beginning with readings of Jeffers' poetry, particularly as it relates to the location and his theories about ghosts. 

They read his poem "The Ghost" in full at the top of the show.

There is a jaggle of masonry here, on a small hill
Above the gray-mouthed Pacific, cottages and a thick-walled tower, all made of rough sea rock
And Portland cement. I imagine, fifty years from now,
A mist-gray figure moping about this place in mad moonlight, examining
the mortar-joints, pawing the

Parasite ivy: "Does the place stand? How did it take that last earthquake?" Then someone comes
From the house-door, taking a poodle for his bedtime walk. The dog snarls and retreats; the man
Stands rigid, saying "Who are you? What are you doing here?" "Nothing to hurt you," it answers, "I am just looking
At the walls that I built. I see that you have played hell
With the trees that I planted." "There has to be room for people," he answers. "My God," he says, "That still!"

The ghost hunters speculate on his predictions in the poem and the coincidences they have Robisonjeffersexperienced during their production of the episode, which is the 50th anniversary of his death at the house in 1962.

This is one of many favorite uses, among many, of poetry: going beyond aesthetics to mine poetry for practical information based on a topic, in this case ghosts.

The show's participants sat around a table and thumbed through Jeffers' books of poetry, asking questions and looking for clues to his theories about the paranormal, particularly his Stone Tape Theory which they describe and find evidence of in his poem called "Carmel Point"

The extraordinary patience of things!
This beautiful place defaced with a crop of suburban houses—
How beautiful when we first beheld it,
Unbroken field of poppy and lupin walled with clean cliffs;   
No intrusion but two or three horses pasturing,
Or a few milch cows rubbing their flanks on the outcrop rock-heads—
Now the spoiler has come: does it care?
Not faintly. It has all time. It knows the people are a tide   
That swells and in time will ebb, and all
Their works dissolve. Meanwhile the image of the pristine beauty   
Lives in the very grain of the granite,
Safe as the endless ocean that climbs our cliff.—As for us:   
We must uncenter our minds from ourselves;
We must unhumanize our views a little, and become confident
As the rock and ocean that we were made from.
 

Particularly they focus on the line "lives in the very grain of the granite." They also find something in the poem "Granite and Cypress."

Then they do a full, dramatic "on location" reading of the poem "Inscription for the Gravestone." Their shared performance of the poem are both funny and moving. I'm amazied just that they are doing it!

In discussing his death bed, they read from "The Bed by the Window."

I chose the bed downstairs by the sea-window for a good death-bed
When we built the house, it is ready waiting,
Unused unless by some guest in a twelvemonth, who hardly suspects
Its latter purpose. I often regard it,
With neither dislike nor desire; rather with both, so equalled
That they kill each other and a crystalline interest
Remains alone. We are safe to finish what we have to finish;
And then it will sound rather like music
When the patient daemon behind the screen of sea-rock and sky
Thumps with his staff, and calls thrice: 'Come, Jeffers.'

Then they interview the staff. Archivist/writer Joan (Meyers) Hendrickson tells of a ghostly experience she had where she heard keys jangling in the lock and saw an apparition cross a room to a window. She wrote a poem about the experience called "Revenant" which she reads on the show. I loved her line, "the long deceased stone mason come to visit the reliquary that held his heart".

Like all ghost shows, this one finds random, non sequitur EVPs (electronic voice phenomena) and possibly a video apparition outside Hawk Tower which could be explained by video calibration. They do debunk some orbs and the humming of a piano wires which occurs when the host starts to talk too loud.

You get a tour of the beautiful grounds of Tor House and the coast of California and learn a bit about Robinson and his mystic-wife Una. You see the artifacts of his life including his writing desk. It was like visiting a writers house on Book TV but with an EVP recorder and a SB7 spirit box.

The Travel Channel page on the show with clips from the show
Access to watch the full episode on Amazon or iTunes

  

Movies with Poetry: John Keats & Marlon Riggs (2009/1989)

BsBright Star (2009) is another BBC Films movie focusing on the 1818 love story between John Keats, (played like a heartthrob by Ben Whishaw), and Fannie Brawne, (played by Abbie Cornish), with screenplay and direction by Jane Campion.

This was another winner with great depictions of the following:

– the pompous, insufferable poet who has no sense of humor about himself or anything else, played by Paul Schneider as Keats’ friend Mr. Brown

– sequestering yourself to get writing done

– poor reviews and poor sales

– choosing a life of poetry even though this entails poverty

– really good friends who are actually not very good friends whenever they provide blind, tragic generosity.

Just as she did in The Piano, director Campion makes another unhurried, particular movie. She is a master of shooting the outdoors, the outside lawns and forests of Hampstead Village, full of butterflies and the sounds of the woods. Campion is also good at including adorable little girls in her pictures, girls who run around the heath and steal the movie.

Here, Campion sets up a parallel of craft between Brawne’s labors over stitching and sewing her fashions and the labor of Keats' writing. There is a scene midway that is a remarkable bit of visual poetry itself: Brawne laying in her bed in the first thoes of love as her window curtain floats across the room toward her.

Campion also does a few studies in the ruffles of “almost-silence” (with interesting foley sound effects) and visually in a look at love’s madness (with a succession of butterfly scenes that begin with beauty and end in depression—hey, we’ve all been there).

Brawne suffers trying to relate to Keats, declaring, “poems are a strain to work out” before she asks Keats to teach her how to read a poem. Keats describes reading poetry to her as similar to swimming in a lake. The point is not to rush over to the other side but to enjoy floating in the middle of it.

Many of Keats' most famous poems are recited. You also get to feel the exhilarating joy and tactility of receiving hand-written letters.

But warning: this movie is not for those with a “delicate constitution” as the film requires a steady crying jag that lasts practically the full final half.

TuTongues Untied is one of the documentaries listed in the documentary about 50 documentaries you should see before you die. The movie is both a collage of experiment and a personal statement by Marlon Riggs about his experiences as a black gay man. Between narratives, the movie weaves in spoken-word poetry, popular music and dance.

At the time of its release, the movie was labeled pornographic and used as an example in the attack against national funding for the arts. Looking back, that response looks shamefully puritan.

Beautiful performance poetry on issues of race and sexuality. Not for those who are squeamish about frank discussions and depictions of race and sexuality. Highly recommended otherwise.

  

   

Movies with Poetry: Sylvia Plath (2003)

SylviaWhen I moved to Albuquerque, I discontinued my Netflix for a few months. Now they insist I buy the streaming before I can get my DVD plan back as well. All my Netflix streaming friends and relatives tell me I don’t need the DVD plan anymore because streaming is so great; but I do not find this to be the case. Of the 33 movies I have listed in my Netflix que for DVDs, only four are available on streaming. Four!! To get access to these movies I would have to pay over 15 dollars a month. So I cancelled my Netflix and signed on with a company called Green Cine. They have more of the older, independent movies and documentaries I want. They don’t have as many as the Netflix DVD library had but they have many more than streaming did and they charge me per movie or a monthly charge of less than $10 a month.

Sylvia (2003)

The first movie I rented was the BBC Film Sylvia (2003) with Gwyneth Paltrow as Sylvia Plath and Daniel Craig as Ted Hughes.  

I’d recommend this movie for these reasons:

  • It seems to be a balanced account of their relationship. No black and white good/bad guy.
  • You see Paltrow handle the character arc of Plath, from manic and effervescent to morose and difficult. She’s shown as an imperfect character.
  • It’s amusing to see a muscle-set Craig play Ted Hughes. He’s actually very good and brings out the ambivalence of the character.  Hughes is in love alright but a rather pathetic and unhelpful partner, especially when the seas get rough.
  • Blythe Danner plays Sylvia Plath’s mom, (some fun meta-movie making as Danner is Paltrow’s actual mom).
  • The bad guy (Professor Moriarty) from the second 2011 Sherlock Holmes movie is in it: Jared Harris.
  • The movie shows Sylvia actually working and her labor in writing, reciting, teaching, grading, getting burned out. You see her typing up manuscripts. The movie covers the frustrations of not only her house-wife-ing but her writing. You see how competitive it was even then to get any sort of book review.
  • Lots of poetry gets recited. There are also lots of books in Plath’s house.
  • Plath and Hughes listen to vinyl recordings of another poet at a dinner party.
  • The movie is visually interesting, both drab and colorful in parts, depending on Plath’s mood. Plenty of good, detail-driven shots, haunting setups and interesting visual themes.

   

Finished My First MOOC

MoocFor that last 10 weeks I've been taking my first MOOC, massive open online course on Modern American Poetry taught through the University of Pennsylvania by Al Filreis. The course starts with Whitman and Dickinson and moves through modernists like Williams, Stein and Pound, Communists poets, Harlem Renaissance poets, anti-modernists, the Beats, the New York School, language poets and conceptual poetries.

There were a few amazing things about this class:

  • It was haaard: difficult, experimental poems, hours of lectures, four challenging essay assignments. I loved every minute of it but it was very time consuming.
  • It was huuuuge. Thirty-five to forty thousand people participated in the 2013 fall class including novices, masters students, and professors, people from all around the world.
  • The course utilized the online tools of coursera.org very effectively. In fact, the poetry MOOC is the most popular mooc of all the scholarly topics they surmise because it manages to energize students with/despite its online tools.
  • It was an ivy-league quality class offered for FREE!

I've been working this past year to get my head around more experimental and difficult poetries. Al Fin-ale-c06442-dFilreis took us through his version of the American poetry lineage and I actually really enjoyed almost everything we covered. Al is an open, friendly and challenging but cheerful teacher to take you through the world of mind-bending  conceptual and meta poetries. This is his bag for the most part. If this isn't your bag,  if you think poetry is the language of the Gods and the voice of humanity (which it can be but doesn't have to be all the time), please don't bother with this class. You'll only be a buzz-kill to about 34,900 people.

I didn't agree with everything he said, myself, and I hated the confusing way his online quizzes were worded, but his enthusiasm and help was invaluable and I came out of the class with poets to investigate further, including Whitman and Frank O'Hara who I've already read before and Susan Howe (I bought her My Emily Dickinson). The most mind-blowing piece we discussed was the final poem, Tracie Morris' performance piece Afrika(n) which was a mash-up commentary on pop culture, racial history and computer technology…all in one sentence!

Anyway, my take-aways from the class also included the following amazing things:

RrrOur last essay was about conceptual Mesostic poetries and we were tasked with doing our own. Here is where my Cher and poetry blogs converge. I did a Sonny & Cher mesostic with song lyrics.  Here's my post on Cher Scholar: I Found Some Blog about it: http://cherscholar.typepad.com/i_found_some_blog/2013/11/sonny-cher-mesostic.html.

  

Poetry Podcast Checkup

While I was driving out to Phoenix in August to meet the writing group, I listened to hours of interesting podcasts. I've been meaning to list them here (but the big-bad move got in the way).

PbsI started early in the morning with PBS News Hour poetry podcasts, both current episodes and ones from last year.

HIGHLY RECOMMENDED: A podcast on the book Facing the Wave: A Journey in the Wake of the Tsunami by Gretel Ehrlich, a book about the Japanese tsunami survivors. She quotes William Stafford who said, a "poem is an emergency of the spirit." She talks about "beauty framed by impermanence" and how "you have to be alive to die."

– HIGHLY RECOMMENDED: A podcast with Eliza Griswold who visits Afghanistan to learn how an ancient Afghan oral folk poetry form has adapted to tell the story of the modern life for Afghani women.These anonymous poems are highly subversive and cover comments about penis size, sex and rage at the Taliban in a protected, collective poetry form without authorship. Afghani women are not allowed to write poems and could be put to death for attempting to. You can read more about Griswold's project at Poetry Foundation: http://www.poetryfoundation.org/media/landays.html.

As a contrast to all the poets I've been reading who deal with identity
and language struggles, these first two podcasts reminded me how meaningful and useful a
simple witness poem, all arguments aside, can be.

RECOMMENDED: A podcast interviewing Richard Blanco and some behind-the-scenes information about how an inaugural poem comes to be, about starting with a theme, trying to tap into a universal question, how an inauguration committee picks one poem from several that a poet submits. It's interesting to learn Blanco is a whiz at math, which is why he started out as an engineer.

RECOMMENDED: A podcast interviewing
editor Charles Henry Rowell about underappreciated African-American poets for a new anthology called "Angles of Ascent." Rowell quotes work I want to explore more, including Rita Dove (although I've been a fan of hers for years), Terrance Hayes and Natasha Trethewey.

–A podcast interviewing David Ferry

–A podcast catching up with Gerald Stern. They discuss how he views his old poetry against his new poetry and how there was not a single book he can remember in his parents' house growing up, only  issues of  Look Magazine.

HIGHLY RECOMMENDED: A podcast covering the new anthology The Hungry Ear. Joy Harjo reads a poem called "Perhaps the World Ends Here" about life around the kitchen table. I crave this book! Just added it to my wish list.

SplThen I moved over to some Scottish Poetry Library podcasts. These are longer in form and never disappoint. As I started to listen to them I found myself lost in a shortcut I was taking through rual Arizona, between Holbrook and Phoenix. I almost had a panic attack but found these podcasts very calming. How bad can things be happening when you're listening to someone talk about poetry?

RECOMMENDED: A podcast about poet George Szirtes and his positive thoughts on modern technology like blogging and twitter ("energy makes energy; the more you do, the more you can do; things grow out of things; technology changes the terms; imagination flows into available spaces. Why not [try and] see what else you are?"). They also discuss 1960s pop music and his poems based on Alfred Hitchcock and the song "Mony Mony."

–A podcast with Polish poet Tadeusz Dąbrowski and his war against post-modernism and empty allusions. To him language is reality. Hey says poets don't admit it but they write to be liked and accepted. He feels poetry should not be only for specialists. Although he often forgoes adding titles to his poems because he feels titles can explain too much. 

RECOMMENDED: A podcast with Australian poet Kona MacPhee and all her various career experiences, her interest in science fiction, and how "poems rub up against biorphgaical symbols." Like Richard Blanco, MacPhee had an interest in math and music before poetry and is interested in how we can "pack info into a small space" like a poem or computer code and how she's interested in the intersection of disciplines.

HIGHLY RECOMMENDED: Tracey S. Rosenberg runs a podcast round table on the art of dealing with rejection letters and why "nobody feels comfortable talking about it." This was a great little podcast on working through submissions as they have an affect on your self-esteem, time and energy levels.  Are you being rejected? Is your work being rejected? Or are you often just rejected by timing and all the factors over which you have no control. Also, they discuss how far you can edit yourself in service of finding acceptance in journals. "You can't edit what you don't know."

RECOMMENDED: The last podcast I listened to on this trip covered language identity with Singapore poet Alvin Pang. I didn't get to finish this one but I was intrigued by his discussion of how how alienated Mandarin, Malaysian and Tamil-speaking writers are from each other due to their language differences, even though they share such a small space geographically. Pang also talks about using whimsy in resistance poetry, saying sometimes the "fool is the only one who [is allowed] to laugh at the King and get away with it." Pang says to just be a poet today is political because you're not doing what society expects of you. He also talks about the influence nursery rhymes had on his poetry.

I had so many more podcasts dowloaded to enjoy on the way home to Santa Fe but I think I was a little burned out by writing-chat because I played my iPod all the way home.

 

Poets Starting Presses

PoemgiftsAn entrepreneurial poet from my alma matter, University of Missouri-St. Louis, has started a business printing off poems in a business-model similar to iTunes, selling them one poem at a time.

Jennifer Tappenden started Architrave Press which sells poems individually printed on cardstock or sold as part of a subscription.

I've been thinking about subscribing to this for a while. These poems would be great to frame and cover office walls with or as items to include in snail-mail letters.

Find more about the press at: http://www.architravepress.com/

Or visit her online store at: http://architravepress.storenvy.com/

I read about her in my alumni magazine. I love hearing about poets who are thinking outside the book…in truly productive and community-affirming ways.

Sometimes I get the feeling the state of poetry isn't so far from the state of the 2013 Video Music Awards, with Miley Cirus writhing around in a bra and panties, with her tongue hanging out, waving a big foam finger. Then some reporter on CBS interviews Cher (because her new album drops on Tuesday) and goads her into saying a bunch of negative things about how soulless and cynical and artless Miley's performance was. Then the next day Cher has bitch-slayers-regret and apologizes for allowing herself to be encouraged to be so harsh about a fellow female performer all for the  drama of some network ratings.

Meanwhile, nobody's reading poetry because, although it's full of all the same drama, bitchiness and narcisism, it doesn't involve wigs and near-nudity.

 

New Kickstarter Poetry Project

KickstarterLast week Kickstarter featured a new poetry project: Neutral Norway Collective's Second Book. They are only looking for 350 pounds and you can donate as little as one pound (about $1.50). They've already raised 312 pounds.

Think of your karma!

This is the second poetry project I've supported on Kickstarter. Last year I supported the independent filmmakers working on a documentary of New Mexico poet Jimmy Santiago Baca, A Place to Stand.

Kickstarter is a great way to support and connect with poets from all over the world.

 

30 Poems in 30 Days – I Did It!

JoyOMG! I finished! I did 30 poems in 30 days. It was exhausting and I was so cocky when I started. I thought I could just do some exercises in stanzas every day, nothing too high stress.

But even a little poem took about a half hour a day and the longer ones hovered around an hour a day. Turns out I had no issues with putting up unfinished work. My problem was dredging up the energy to get it done every day.

Beyond the forms I used from a book I was reading (The Ode Less Traveled), I didn't use any subject prompts and never made a decision on what to write about until that day or the night before at the earliest.

It was haaaaaard y'all!

And I was pleasantly surprised using Hello Poetry. I respect it for its Google-like simplicity. Also, I was surprised that so many people were online reading these poems. I was surprised to see which poems "trended" (like items trending on Google, become popular fast). Trending was an interesting issue because the poems I thought people would not like they sometimes did and the poems I thought they would love they sometimes didn't. And trending isn't everything. Some poems didn't trend (get read by a lot of people over a short period of time) but they did find a large amount of readers over a long stretch of time. For instance, see below.

The Poem Statistics

I have 30 poems up on Hello Poetry with a bonus opening haiku. In total, they've been read 3,369 times. Yes…three THOUSAND. Unbelievable. I received 12 likes on individual poems and 8 fellow Hello Poetry writers started "following me" which basically seems to mean they've bookmarked my homepage to check out again later. That's what I've gathered from finding others to follow myself.

These were the five poems that trended (numbers as of this morning):

Tremor in the Bowl – 236 readers
Ode to a Free Girl Writing Free Verse – 217
Do the Dead Who Love Us Know – 230
 - How the Devil Plays Bach – 235
Sword of Words – 340

But over time, five other poems received as many if not more reads:

An Artifice that Time Forgot – 283 readers
Crossing the Mississippi – 109
American Ghost – 104
Things I Love About Rhoda (As Told by Mary Richards) – 376
Things Those Tests Do Not Test – 180

So as seen above, my most popular poem did not trend. My least popular poems were my most recent one and the one dedicated to the Boston bombing:

Sonnet to Spam – 18
Finish Lines – 19

I still can't believe I did it. It took a lot of physical energy and I was glad when the month was over just so I could rest today! This took some sweat.

To see all the poems, visit my Hello Poetry home page.

I'm going to be MIA from blogging for about two weeks. Monsieur Bang Bang is graduating with his Masters in Archaeology and the entire clan is coming for two shindigs at our house. Then we're going to plan a move. So happy post National Poetry Month everyone and I'll see you on the other side.

 

Movies With Poetry: Edgar Allan Poe, Rimbaud, Verlaine, Alice Duer Miller

As part of my multi-media explorations of the world of poetry, I've searched Netflix and sprinkled my movie que with movies about poets or poetry. I am old fashioned and still get DVDs mailed to me; haven't tried streaming yet . Here are my first three movie reviews of poetry-related movies:

The Raven (2012)

RavenMr. Big Bang and I actually saw The Raven, starring John Cusack, last year in the the-A-ter. Basically, this movie took some basic facts about Edgar Allan Poe's life and embellished them into a psychological-action thriller, ala the latest Sherlock Holmes fare.

I'm not against this sort of thing by definition (I kind of liked Gothic from 1986), but the results here were disappointing for these reasons:

  • John Cusak, although he "gains an inky black goatee and loses as much of his puckish ironic attitude as possible" (Entertainment Weekly, May 11 2012), is badly cast. He's still John Cusack and I never forget it.
  • To create the psychological thriller part of the movie, Poe is made to chase a murderer who is copycatting his short-story murder techniques. Saw-like gruesomeness ensues with scythe-pendulums, burials alive, and melodramatic poisonings. You've read it, they got it here. I can just imagine the snarky, angry review Edgar Allan Poe would give this movie for stealing all his maniacal devices.
  • It's got the gore but not the haunting skill. Entertainment Weekly said it best, "there are no unspoken shadows haunting his soul." He's just a messed-up drunk.
  • In trying to create early 1840s Baltimore, they filmed the movie in Belgrade and Budapest.  The results were off-kilter: for instance, the movie had no black actor extras (zero) and Baltimore was a slave state and the roads and buildings all looked too Central European. 

The pictures below say it all, over the top and heavy handed.

Raven2
Raven3 

 

 

 

 

Total Eclipse (1995)

TotalFirst of all this movie was hard to get a hold of. It was the first and only movie that sat languishing in my Netflix que waiting for all the girls and boys who are obsessed with Leonardo DiCaprio to get their hands on it first in order to see all his naked scenes.

And there's plenty of nudity to go around between DiCaprio who plays Arthur Rimbaud and David Thewlis who plays Paul Verlaine. That's one perk of the movie but other than that you get DiCaprio playing his sullen, cocky and incorigable best (as seen in many other films of his early oeuvre) and Thewlis plays his pathetic, doormat of a mentor. Both are in this 1871 bisexual affair for their own poetic ambitions (only Thewlis falls for good).The movie is full of their gay, ugly tantrum fights.

I will say Thewlis has an extraordinary profile and I found his mugging more interesting than DiCaprio's mugging although both characters became very unappealing very fast. Rimbaud is an attention-whore with a juvenile urge to shock and Verlaine is a veritable pTotal2sychopath who sets his wife's hair on fire for no reason. Worse than that, he can't take a hint.

The movie, like many, glamorizes poetry. However, there are very few scenes of the poets actually talking about poetry (as you know they would be) or writing any of it. At one point Rimbaud has been trying to write (off camera I guess) and he cries out, "It's so difficult!" but then later states soberly, "The writing has changed me."

Verlaine dramatically calls absinthe "the poet's third eye." At one point Rimbuad laments, "The only unbearable thing is that nothing is unbearable." What? Is that a logic puzzle? The movie was supposedly based upon the correspondence between the poets and like most biopics, the narrative is choppy and uneven.

But there were things I did like: the movie covers class issues among poets, something I feel is rarely discussed today. Rimbaud and Verlaine both struggle with money and time. There's a good exchange in this regard between Rimbaud and his mother:

Rimbaud's Mother: This work you do, is it the kind of work that would lead to anything?

Rimbaud (angrily): I don't know. Nevertheless it's the kind of work I do.

Who hasn't had that conversation with their mom? The movie is also about how some people literally consume their mentors and how dangerous that relationship can be.

Rimbaud, when asked to read some of his poems declares, "I never read out my poetry!" In the end, there is professional truth in his monologue about why he gives up writing poetry (he had been mostly full of hot air about it: "I decided to be a genius…I decided to originate the future!") and at the end, he dismisses his mentor as a "lyric poet" and goes off to Africa.

Roger Ebert had this to say, "The poems can be read. The film must stand on its own, apart from the
poems, and I'm afraid it doesn't. To write great poems is a gift. To be
interesting company is a different gift, which neither Verlaine or
Rimbaud exhibits in "Total Eclipse." One admires the energy and
inventiveness that Holland, Thewlis and DiCaprio put into the film, but
one would prefer to be admiring it from afar."

The White Cliffs of Dover (1944)

DoverGee, do I love it when my obsessions converge! On my other blog, I Found Some Blog…by Cher Scholar, I've been tracking Cher's month as co-host of Turner Classic Movies on Friday nights. Cher is a huge fan of classic movies and since 2011 has been dropping by to co-host movie nights on TCM. This month she's been doing a series called It's a Woman's World, powerful female-starring movies of the 30s and 40s. The first Friday was a set of four movies on Motherhood. Last Friday she did a set of war movies, one of which was the movie about an American (Irene Dunne) living in England during World War I and World War II called The White Cliffs of Dover, a movie I've only ever heard of because it was one of Elizabeth Taylor's first movie appearances.

But interesting to us on this blog, the entire film was based on a poem. Imagine that! It's a very long poem (a "verse novel" says Poem Hunter) by Alice Duer Miller called "The White Cliffs." A verse novel. Imagine that! The narration of the film starts out with Irene Dunne reciting the first
stanza of Miller's poem and then flips over to poetry written for the
film by Robert Nathan. Poetry written for a film! Imagine that! The Los Angeles Times did a story about Robert Nathan when he died in 1985. He had published 50 books of poetry and fiction.

Alice Duer Miller's original poem was influential in many ways. According to Poem Hunter:

The poem was spectacularly successful on both sides of the Atlantic,
selling eventually a million copies – an unheard of number
for a book of verse. It was broadcast and the story was made into the
1944 film The White Cliffs of Dover, starring Irene Dunne. Like her
earlier suffrage poems, it had a significant effect on American public
opinion and it was one of the influences leading the United States to
enter the War. Sir Walter Layton, who held positions in the Ministries
of Supply and Munitions during the Second World War, even brought it to
the attention of then-Prime Minister Winston Churchill.

Alice Duer Miller was also influential as a suffragette:

She became known as a campaigner for women's suffrage and published a
brilliant series of satirical poems in the New York Tribune. These were
published subsequently as Are Women People?. These words became a
catchphrase of the suffrage movement. She followed this collection with
Women are People!
(1917)

The movie is your basic war-time romance/tearjerker about a woman who loses everyone she loves in two wars. I don't particularly like war movies and a weekend watching four of them ("Three Came Home" from 1950 was particulary harrowing) put me into quite a funk. People never learn. None of our laments about war are new, etc.    
Roddy

The New York Times recently called the movie "A Cinderalla story in sweet disguise" but I couldn't disagree more. Her life was full of tragedy and lonliness shortly after she married. Had she picked boyfriend number one, she might have had an entirely happier life in America.

At least the movie is good for the appearance of Roddy McDowall who plays the young, charming son.

 

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