Reinventing the Life of a Poet in the Modern World

Month: December 2016

Poetry Card Week 6 (Scotland and Early America)

RlsThese are the cards I pulled this week:

This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
And the hunter home from the hill.

Robert Louis Stevenson’s “Requiem” (1950-1984)

According to the card, he lived a short life, beset with illnesses. However, he's known for his adventure tales and he did travel to the South Sea Islands and Samoa. This short poem "Requiem" was written as his own epitaph.

HwlToiling, rejoicing, sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night’s repose.

Whoa. Semi-colon overload, dude. This is from “The Village Blacksmith” by Henry Wadsworth Longellow (1807-1882)

The card states that Longfellow is “America’s first true man of letters.” He was a linguist, professor, translator, and critic, and “the most popular poet writing in the English language” during his 19th Century. Some of his greatest hits include: “The Song of Hiawatha,” “Paul Revere’s Ride” and “The Courtship of Miles Standish.” I own the book “Tales of a Wayside Inn” because for years while I was in college and our family spent Christmases in Boston, we would eat dinner at the Wayside Inn. I loved it. Which is obvious because I bought the book! Once I took my friends to visit his house but it was closed. There was a dispenser with buttons out front which appeased our disappointment.  The button had his picture on it and said, "I'm a poet too!"

Week six stats:

1 white American colonialist female
1 black American female
1 white American female
2 white American males
1 white Andalusian male
1 Chilean male
1 white English male
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1600s poet
2 1700s poets
3 1800s poets
5 1900s poets

A Chapbook About Hispanic New Mexico

LgWe all follow particular subject threads in our reading. I keep following the trail of New Mexican poetry. Monsieur Big Bang and I recently visited the a place south of Santa Fe called El Rancho de Las Golondrinas. This is a beautiful and quite expansive living history museum depicting the history of the Spanish Colonial immigrants who settled along the Rio Grande.

I check out every museum or college book store to see if I can find new local poets writing about "place." My project is twofold: learn something about how the neighborhood poets view particular places and support those bookstores who stock local poets.

This is how I found an amazing chapbook by Rafael Lobato, "Working in the Sun (Un Campesino en el Sol)" which was published in 2000 and  translated by Deborah Melendy Norman. The 21-page chapbook contains only seven poems but I enjoyed all of them: poems about relatives, outdoor labors, the Rio Grande and New Mexico history, growing up in rural New Mexico, cultural changes and challenges, and strategies of flirtation (warnings of a misspent youth). 

From "This Was My Life"

When you live, you lack everything.
When you die, you leave everything.

From "Welcome to the Ranch of the Swallows"

The Spaniard who slept here
Died very tired—I can feel it.
His feet struck so deep
In the sands of time
Not even the wind
Can erase his place in history.

Metaphors, End-of-Year News and Rattle

MetaphorsMetaphors

Just finished a great, challenging book, Metaphors We Live By, by George Lakoff and Mark Johnson. Not a new book but one to revisit when thinking about how deep metaphors go down into our conceptual thinking. The book covers objective and subjective philosophies and offers a new way of thinking about a knowledge that's neither objective or subjective but a mix of both.

Rattle and Votes for Poetry

I've really enjoyed my year-long subscription to the Los Angeles-based poetry journal Rattle. I'll be moving on to another journal next year but will probably touch base with Rattle again someday. My last issue published a contest winner and asked the readers to vote on five or so runners up published in the same issue. I felt weird about this and I can't completely sort it out. I love that Rattle is demurring from its role as gate-keeper here. It's a real "let the people decide" moment and it feels democratic. But something in me didn't want to have winners and losers among all of the strong and interesting poems. That's just life, right, winners and losers? So much in life has become an American Idol competition: singing, sewing, cooking, and on and on. It's fatiguing. Does everything need to be a competition? Maybe it does. You can't have it neither way.

News

The end-of-the-year news roundup and it's actually pretty hopeful in some small way (go figure):

Donald Trump has roused the poets to stinging verse (Los Angeles Times)

Native poet speaks the language of Standing Rock — and explains how a presidential apology falls short (PBS Newshour)

Best poetry collections of 2016 (Washington Post)

Through Poetry And TED Talks, Clint Smith Probes Racism In America (WBUR.org)

Still, Poetry Will Rise: The aftermath of the 2016 election has found many Americans seeking solace—and wisdom—in verse. The editor of Poetry magazine has some ideas why. (The Atlantic)

Don’t Look Now, But 2016 Is Resurrecting Poetry (WIRED)

Verse goes viral: how young feminist writers are reclaiming poetry for the digital age (The Guardian)

Older News

Italian town apologises for its part in persecuting Dante, 700 years after the poet's expulsion from Florence (UK Telegraph)

Why (Some) People Hate Poetry (The Atlantic)

'How I accidentally became a poet through Twitter' (BBC)

The Anger and Joy of a Native-American Poet in Brooklyn (The New Yorker)

A Poet’s Mission: Buy, and Preserve, Langston Hughes’s Harlem Home (New York Times)

A poet’s ode to the meaning of work (PBS Newshour)

Eileen Myles on getting a poem in the New Yorker (e-flux)

Syrian poet Adonis says poetry ‘can save Arab world’ (The Times of Israel)

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