Reinventing the Life of a Poet in the Modern World

Category: Poetry Technology (Page 5 of 9)

How to Submit Poems to Journals

HopeHow exciting it is to be sending out poems! No matter how often you receive rejections, keep focusing on the fun of researching, organizing and sending poems out into the universe.

Here are some step-by-step guidelines for you.

 

Step 1: Take a look at your poems and classify them by:

  • Writing style: are they rhymed or rhymed, are they traditional meter (if so what kind of meter) or free verse, are they conventional in language and tone or are they experimental?
  • Content: what are your poems about, what’s the subject matter?

Different poetry journals cater to a variety of these possibilities.

Step 2: Research poetry journals to find ones that match these poetry styles. There are two ways to go about this:

The best way is to visit the periodical section of your local libraries or bookstores (if you have any) and read some of their poetry journals. If you don’t see any that match your work, don’t worry about it. Your poems might fit a niche journal the library doesn’t carry. But this will give you a good idea about current popular poetry journals, the top tier to aim for someday.

You can also search some very good databases online to find journals and what they publish:

http://www.pw.org/literary_magazines
https://duotrope.com/

The old school way was to buy a copy of Poet’s Market but you’ll have to do this every year or two to get current listings (things change fast out there in poetry land). I found this was not a feasible option for me long term. Plus, what to do with all the old issues? Your library might have an up-to-date copy.

Create a list of possible journals from this research.

Step 3: Create your cover letter. You can list previous publications here or note that this would be your first publication. Different journals aim for different kinds of writers. Some want established writers and some want to find the next new discovery.

Some guidance on cover letters.

Everyone has differing ideas on the details needed in a cover letter. Feel free to experiment but keep this in mind: journals have seen it all. Literally, they’ve already read thousands upon thousands of “creative” cover letters. Don’t pour all your creativity into this. It’s a functional document.

Step 5:  Submit

When you find journals to submit to, peruse their websites for submission information. Sometimes I search Google for “[journal name] + submissions” to get a link directly to the submission information page (because some journals hide the stinker pretty far into their site).

Pay special attention to how they want submissions submitted. They’re all different. Determine what format they want the submission to be sent: printed and mailed, attached as a word or PDF or Word doc, or included in the body of an email. And note the maximum number of poems they will accept.

Many journals these days only take submissions through an online service called Submittable (http://www.submittable.com/) so go ahead and sign up for an account there. It’s free and the site helps you keep track of every place you’ve submitted poems and what the result was so you don’t have to create an XLS Spreadsheet or other document to keep all that straight, although maybe you should create a spreadsheet or notebook anyway for the few email and mailed submissions you might also send out.

More information on submissions:

6 Submission Shortcuts You Should Be Using (And 3 You Shouldn’t)

10 Rules for Submitting to Lit Mags

Empty Mirror’s Complete Guide

Publishing and the Poetry eBook Controversy

Poetry_foundation_iphone_app2The photo to the right is from the Poetry Foundation and their depiction of their mobile site. Preparing content for devices matters. A lot. Google is now ranking websites by their responsive design.

Jane Friedman just published the "State of Publishing in 5 Charts."  She asks us to note that "the decline in nonfiction print book sales pre-dates ebooks. Meaning: The Internet has slowly been eating away at the market for information delivered through the print book, particularly reference and travel."

She goes on to say:

"Ebooks have affected the print sales market for all fiction categories. The genres most severely affected: fantasy, general fiction, mystery/detective.

However, Nowell took time to point out that—across three of the biggest bestselling authors from 2008–2014—ebook sales have increased their overall sales, rather than cannibalizing sales."

This serves to remind us it's not all about the eReader. And if you simply must hate some technology, hate the iPhone (which aint goin anywhere, by the way). This Wall Street Journal articles talks about "The Rise of Phone Reading: It’s not the e-reader that will be driving future books sales, it’s the phone; how publishers are rethinking books for the small screen."

My latest frustration is trying to track down ebooks of poetry, the latest being Valerie Bandura's book "Freak Show". Black Lawrence Press has not released an ebook version. This is sadly typical.

I was inspired to buy her book based on excerpts from APR. And this is what usually happens: I read poetry in a journal that I like; I grab my Kindle and I search for the ebook.

There have been great strides made in formatting poetry for ebooks (Billy Collins' statements notwithstanding). Indents and special layouts can be accommodated. Also, an ebook is basically an HTML document. It's so easy, I've done one. I'm a customer ready to buy. I'm a customer that doesn't want piles of poetry books crowding up my house. I'm a poet willing to take many more chances with unknown poets at a lower price point. But 90% of the time, poetry publishers don't issue ebooks. I started a LinkedIn group discussion on this topic. Here were the results:

One publisher said,I know that our press will never release eBooks. They are a pain to format, and we like print.”

Sylvia said, “I don't know anything about ebook publishing, but I prefer them now because I've no more room in my house for bookshelves, or nightstands, or plastic bins filled with books. However, if I really want the book, I will buy it if it's only available in print.”

Kevin said,Formatting is indeed a pain. Granted, I don't code, but getting an intended line/stanza to render properly is practically impossible.”

To that, I responded that I’ve loved and have published printed books as well. I’m practically living like a book hoarder. I’ve also paid movers many times to move my books from house to house. A printed book is a work of art at its best and, for this reason, they aren’t going anywhere.

But…I've also formatted indented lines and stanzas for ebook publications. There are books out there now about how to format more complicated poems in simple HTML. Two good examples of existing poetry ebooks: Patricia Smith’s award-winning book Shoulda Been Jimi Savannah works with various formatting that comes across flawlessly in the ebook version and Kenneth Koch’s New Addresses. Copper Canyon is now issuing their back catalog in ebook editions.

You can also find technical help at a similar price to web design (if you don’t like working in markup code). Shortly someone will probably develop WSYWG software just for laying out ebooks. But as publishers, we seem more willing to pay for web page design, (the same HTML work), than for similar assistance with our ebooks, and realistically our books are our most valuable commodity.

When the business of selling poetry seems to be in decline, (due to lack of mainstream interest and poets themselves buying more anthologies, used Amazon copies, or just borrowing library copies), how many people like me are out there willing to buy new poetry books? I agree with Sylvia, if I really, really want it, I’ll buy the printed book. But I’d be willing to buy so many more new books of poetry (that I kinda want but don’t really need) if there were ebook versions.

It takes effort to frustrate a willing customer. Publishing is more than about doing what you love. Like selling any product or service, it’s a negotiation between what you love and what your customers love and need.

Then Richard said, “Well, it may be convenient when on a trip or vacation to have a reader. But, to me, nothing like a book in hand. Have more often than not been highly unhappy with ebook formatting, changing lines around if they don't fit their format page. Even was included in an anthology by the Kansas Writers Association and about had a fit when ALL the poems were screwed in some way or another; nobody could bother to "edit" it correctly, or question each poet with "proofs" before being published, just to be sure. Nice to have the publishing credit, but then you never want to refer people to the book, if it ends up NOT what you wrote in the first place…"

I replied to Richard that it does take knowledge of HTML to format ebooks. It's not simply a dump-it-in and publish affair, which unfortunately some publishers try to get away with. You wouldn't want to buy a printed book that was simply a photocopy of someone's handwritten novel. Different formats need different tasks to be applied. But plenty of poetry houses are doing it: Copper Canyon, Coffeehouse, Farrar, Straus and Giroux. It's just a matter of the publisher committing itself to learning how to do it.

Here's a New York Times article on the issue from 2014, "Line by Line, E-Books Turn Poet-Friendly."

Luke said, “Mary I understand your frustration. I too, wish there were more poetry offered in an e format. I'm old fashioned (no smart phone, etc) but have grown fond of the kindle. I'm a believer. I just read a great article about how the kindle and the tablet has encouraged reading and as a result more people are keen to try out things like poetry. Poetry sales are up as a result, bettering publishing houses and authors!"

Marie said, “Two presses that release ebooks simultaneously with print versions:

And yet it seems there are many publishers who just aren’t interested in listening to their customers. Imagine if Apple or your local restaurant felt this way. Experts estimate that about 80 percent of new products fail upon introduction and another 10 percent disappear within five years.  See “Organization Theory and Design” by Richard Daft (a book available in eBook, by the way) and this article from Forbes: http://www.forbes.com/sites/ericwagner/2013/09/12/five-reasons-8-out-of-10-businesses-fail/ !

Writers need to come to terms with a few things: one, that they are not their work and two, that their writing is not necessarily its format. Also, they need to come to terms with a new generation and their very different needs. Although I don’t agree with newness for it’s own sake, I like this comment by Seth Godin, a marketing and business guru:

"Change is the point. It's what we seek to do to the world around us. Change, actual change, is hard work. And changing our own minds is the most difficult place to start. It's also the only place to start. It's hard to find the leverage to change the way you see the world, hard to pull on your thought-straps. But it's urgent."

Another great quote:

"A great many people think they are thinking when they are merely rearranging their prejudices." William James

If you think outside the box, if you use poetry as research, if you read poetry explanatorily and don’t purchase every book of poems as collectibles, eBooks are the clear choice for format.

More Conversation

Here is a great conversation explaining why Amazon may not be the predictor of doom.

In a Jane Friendman's interview with Bo Sacks, he says, “print used to be the least expensive, easiest way to reach a mass audience. It was easy to print, and many people did. And there was lots of junk printed.”

Jane asks, "There’s all this conversation about print versus digital in publishing. How much is that a distraction?" He responds, "It’s a terrible distraction. Everything is as it was; only the substrate has changed. And I believe the substrate is irrelevant to the message. We as publishers are agnostic or should be agnostic to the substrate. We just want to sell you good words. I’m indifferent to how you choose to read those words. And that’s what’s happening, despite our fears and worries. Reading is not going to go away. And we should be respectful of the individual’s right to read on whatever substrate she wants."

Bo Sacks says we’re in the “Information Distribution Industry" (formerly known as "Publishing").

In other related news, here is an article on Self publishing scams: http://theworldsgreatestbook.com/self-publishing-scams-2/

And peaking of Amazon, strangely I see many questionable copies of my book for sale on Amazon from independent sellers, possibly more books than I’ve actually sold or given out. And one seller from Arizona claims that the dust cover is missing. The only problem being my book didn’t have one.

Which reminds me that my two Goodreads giveaways (resulting in 10 books given away) produced  zero reviews so I wouldn’t recommend bothering with those. I think they end up on Amazon! 🙂

  

Are EdX Harvard Poetry Classes Impersonating MOOCs

Harvard I went to enroll in the three other Harvard poetry online classes (because I've become like an online class hoarder). To say Harvard's poetry Moocs  are classes is overstating, however, because they’re just archived materials from past MOOCs.

I was highly perturbed to have their site ask me for a five dollar donation for each course. I was annoyed for these reasons:

 - The class represents itself as a free MOOC, (“HarvardX—Free Courses from Harvard University” and “edX/Free online courses from the world’s best universities”), and this gesture feels like trying to have it both ways.

– The Walt Whitman class was good, but not as good as the ModPo MOOC from the University of Pennsylvania which, to date, has never asked me for any money. If anybody should get my measly five dollars, ModPo deserves the money for the blood and sweat put into those gargantuan efforts.

– None of the features that would actually cost them anything are available anymore: they're not reviewing your work, the annotation tool is turned off and there are no active forums to maintain or contribute to. It's just readings and videos. Again, ModPo is so much more active and so much more free.

– I’m not opposed to donating cash to worthy causes but Harvard–you have a bigger endowment than God. Please refrain from asking the pleebs for change. At least the robber barons gave us free libraries. Jeesh.

  

Walt Whitman & His Online Harvard Course

WhitmanWhitman, The Musical!

Check out the one-man musical on Walt Whitman! (OC Register)

Whitman, The Online Class!

I've almost finished the free Harvard EdX online Walt Whitman class found at: https://www.edx.org/course/poetry-america-whitman-harvardx-ampox-3

It's part of their archived Poetry in America series which includes poetry of Early New England and Nature and Nation (all Northeastern obsessed poetries; hopefully more to come that’s less regional).

The course is set out over four weeks. The reading load gets harder as you go. The online experience focuses on learning to annotate poems and the site has a special program for that. Either it doesn’t work in my iPad or it’s turned off in the archived experience. I'm using my Collected Works book anyway. There is not much over reading (essays, other similar poets) but there is plenty of interesting video hours you can spend on poem group commentary, readings and a tour of New York which shows mostly a woman pointing at buildings.

I am finding that the class is helping me with aspects of the novel I'm working on. I have to say, like other women over 40 (who make up a large part of the Harvard class cast), I'm enjoying Whitman much more now.

In fact, these two quotes from "Song of Myself seemed appropriate to point out, this one due to living in the Internet-age:

“I speak the pass-word primeval.”

And this one in regards to discussions here around mindfulness, sympathy and empathy:

“And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud.” 

Over the last few weeks, I've mentioned online classes and Mp3 lectures from The Great Courses company. I wanted to mention I’ve also used Udemy. And here's an important tip I left out earlier: don’t freak out when you sign up and see courses prices at $150. Just wait for the email sale–it comes every day or so–and inevitably courses come down to anywhere from $19 to $40! It’s some kind of masochistic sticker-shock marketing they seem to be doing.

Also check out Slideshare on LinkedIn as another resource for poetry learners and teachers that's free!

  

Outside-the-box Learning Technologies for Poets

Poetry-technologyCD Classes

I've been purchasing some on-sale Great Courses classes on poets and writers.  We play them on the way to work in half-hour lectures. Monsieur Big Bang and I have take classes on the transcendentalist writers, Mark Twain,  and a good class on America’s best sellers.  The C.S. Lewis one we're on now is a bit too preachy and screechy in tone. I wouldn't recommend that one.  And warning: once this company gets your email, you'll have to ask them to refrain from sending you one every day. But it's all worth the price if you can get a deal on the mp3 downloads format which are the cheapest.

TED Talks

Did you know there are lots of poetry-related TED Talks?  In fact, there are many very valuable non-poetry-related TED talks, too. A friend of mine sent me these two talks this week, two that I think would be particularly useful for the often socially-inept poets at parties.

How to engage in better small talk:  This one surely applies to at least a quarter of the poets I have met in workshops and conferences. You know the ones! They ask you a list of variations on “Have you read this book?” This TED talk tells a humorous anecdote about that very question and why you need to move beyond it in social situations. 

How to magically connect with anyone is another good talk about basic human needs in communication (of which poetry is one).

Blog Learnin’

Poets hate to talk marketing sometimes but my day-job in marketing and web has led to many great resources for information on communication. You never know where you'll find food for thought.

Social Media Examiner and Marketoonist are very smart blogs for learning about the changing media landscape and the psychology of a consumer and human communication. They're also good to follow if you're ever in the position of marketing your own work. And no matter who your publisher is (or isn't), this applies to you!

Social Media Examiner, for one, might seem overwhelming at first. It helps to take it in baby steps, like one blog post a week or per month. I mean I do this for a living and it feels overwhelming!

But writers should understand the social behind the media. Learn basic concepts of communication and what people's need are. You don’t have to become an expert in every feature from every online media product. That would be a waste of time anyway; they come and go so often.

  

Get Involved with Inkitt

InkSo I'm very late getting back to blogging after my family reunion, my vacation trips and overdue work projects so I missed the deadline to help promote a SciFi writing contest from the website Inkitt…like I missed it by two days!

But I was able to visit their site and there are plenty of things there for writers to do, including:

– browsing the fantasy, mystery, sci fi, horror, thriller, fan fiction and editor selected stories,

– joining one of the groups,

– or submitting your own stories to one of their open contests.

A message from their marketing:

Our most active users include literary professors as well as published authors and students of literature. We are proud of the high number of professional reviews and mature stories on the platform and continually watch our content and community grow.

Check it out.

 

iPhone (and Other Devices) Apps for Poetry

AppI checked in with some new poetry apps a few weeks ago.

Daily Haiku
True, you get a daily haiku in the app but no information on who wrote it or how old it is. And with the cheap version, you can’t scroll backwards to see other haiku. Sure, you can upgrade but users online don’t recommend it. They say it’s just as disappointing on the other side.

Poetry Daily
This website has been publishing daily poetry since as long as I can remember being on the Interwebs, like from 1998? I remember reading their poems while I was still at Sarah Lawrence in New York. The good thing about this app is that Poetry Daily has worked to expand the daily post into actually selling the books the poems are in. They’re now a bookstore or they at least they link to the publisher sites in many instances. They also provide photos and bios when possible. But most annoyingly, I can’t resize the poems on my iPhone. They all appear like unattractive blocks that I have to scroll sideways to read. Turning my phone horizontally only helps the shorter-lined poems. Also, in the mobile version, the title of the poet disappears between <null> tags. But the app does let you scroll back through prior days and even run the “random” button for receiving random gifts of poetry. Recommended.

Poetry Foundation
I think I’ve covered this one before. You spin a dial for a poem or choose a category like Boredom, Pessimism, Aging, Family. You can even combine categories. It’s fun to spin the button and get random combinations of subjects. You can also browse by mood, subject or poet and you can access audio poems, too.  This app grows on you. Recommended.

Poem Flow
This app displays a poem like a textual movie of animation. An interesting format to help think about how reading this way affects your understanding of the poem. You can slow or quicken the pace. I’m not sure how long before the thrill of reading poems this way might wear off but it feels like an interesting art project, some beneficial way to experience words… at least once. Something to talk a friend into downloading so you can experience without it cluttering up your apps space.

Poetry Everywhere with Garrison Keillor
This app provides little videos about poets. For example, you can see a Coleman Barks reading of his Rumi translations from the Dodge Poetry Festival (the Ozzfest of Poetry). With this, you get two or so minutes of bite-sized education. I love hearing Barks' southern drawl reading Rumi.  This app provides a variety of sound for spoken word events and there’s a good amount of content here although the app hasn’t been updated in ages. Recommended.

  

News & A Poet Who Conquered Twitter

EdPoetry News Coverage

6 Curious Things About Emily Dickinson, America's Favorite Recluse Poet (Huffinton Post)

How can poems transform the world? A chat with poet Jane Hirshfield (Washington Post)

Roque Dalton: The Revolutionary Life of a Revolutionary Poet (Roque Dalton, born May 14, 1935, should be seen in the same ranks as Jose Carlos Mariategui and Che Guevara. Like them, Dalton was a seminal figure for Latin American revolutionaries whose life was tragically cut short.  (Telesur TV)

Poet Anastacia Tolbert: 'What To Tell My Sons After Trayvon Martin' (KUOW.org)

Poet Wo Chan uses words to fight oppression (PBS NewsHour)  
Wo’s work has recently explored what they describe as “rage” at the power imbalances that exist in the U.S. For Wo, the process of experimenting with language also challenges the systems that create those imbalances.

Acclaimed poet's dog rescued after plunging 300 feet down cliff east of Port Angeles (Peninsula Daily News-Washington State)

Neruda still not reburied (Star Tribune)

A Poet Conquers Twitter

The author was revealed this week (Rolling Stone) behind the very popular twitter phenom"So Sad Today." Some even speculated the author might be pop star Lana del Rey. It was, however, a poet named Melissa Broder who has published three books of poetry, most recently 2014's Scarecrone.

  

 

Poetry in O, The Star, NPR

OAmerican Poets magazine has a Walt Whitman essay by Mark Doty and in their annual report, they discuss a poetry reading they hosted recently called Poetry and the Creative Mind which they say tracks the influence of poetry on readers from other disciplines. I hope we get a report on that someday. I think it melds well with the Poetry on Mars project here on BBP, to get poetry into the hands of researchers in order to provide practical subject-based backup, a kind of laser-like focus on a topic, or further testimonial evidence to a study.

I went to Red River a few weeks ago and left all my books at home. I was forced to visit the bookstore of a mega-chain in order to find some reading material for the weekend. If you’ve been in a Target you know that they have at least 2 aisles of books. Let me just say Walmart has a lousy book section. There was less than a quarter of an aisle of reading material in there! But then I guess plebs aren’t getting under paid to read.

The April issue of O Magazine features National Poetry Month. The article is called "Why Poetry Matters." Former us poet laureate Natasha Trethewey opens up the discussion with this content: “In an era of sensory overload, there is stillness and clarity to be found in verse.” She goes on to elaborate how in poetry she found a “place to place grief.” Poetry, she says, also provides us with community, it shows us to ourselves, it acts as refuge, and serves to continue a cultural legacy.

Laura Kasischke, winner of the National Book Critics Circle Award says poetry can be “understood in parts of our brain that appreciate sounds, or smell.” This section also included prompts from The Poet Tarot Deck (from two sylvias press).  What Oprah magazine article would be complete without product promo? I’m snide but you know I’m going to buy this as soon as I can scrape up fifty dollars.

There are also six short book reviews and reviews of two poet memoirs.

A friend of mine recently purchased for me a gift subscription to the tabloid magazine The Star. Inside there’s that good ole National Amateur Poetry Competition advertisement. It’s been a while since I’ve seen this sucker.

By the way, here is a handy list of writing contests to avoid: https://winningwriters.com/the-best-free-literary-contests/contests-to-avoid (their own site’s contests might be best avoided as well).

News and articles

From my colleges

Here is a CNM article on slam poet champion, writer, TEDx presenter, teacher, dedicated activist, mother, CNM tutor, and now Albuquerque’s newest poet laureate, Jessica Helen Lopez.

A University of Missouri-St. Louis blog post: Bilingual poet’s second collection shifts to second language

National Poetry Month

“Read This Poem” project to usher in National Poetry Month  (SF Gate)

President Obama on why poetry matters (Yahoo!)

Poet booths in subways: Bespoke Poetry Hits The Subways With Peanuts-Inspired "The Poet Is In" (The Gothamist)

People

Gary Snyder (NPR)

James Merrill (Bend Bulletin)

Patti Smith Punk Poet Laureate (The Guardian)

Other

Video poetry: Red Riding Hood Revisisted: https://vimeo.com/3514904

     

Poetry Magazine, Poetry in Mainstream News (April)

4-2015-cover-360

I've been subscribing to Poetry magazine this year. I can't say I'm completely enjoying my first few issues but April 2015 has much to recommend in it. The issue is dedicated to hip hop poetry and I enjoyed almost every poem.  Nate Marshall lists a 7-point blueprint for BreakBeat writing and Kenneth Goldsmith's conceptual manifesto ends the issue. Good fodder for discussion on what poetry is supposed to do. There are some truths in there, some narcissisms and quite a few contradictions.

I'm busy working on my NaPoWriMo pieces. Met a few new poets over there. Hello Poetry has gotten into NaPoWriMo in 2015.

 

 

Poetry In Mainstream News

Cat Poetry

Charles Bukowski’s Unpublished Cat Literature Can Be Yours In October (Flavorwire)

People

“I Am Not a Nature Poet”: Why Robert Frost Is So Misunderstood (Flavorwire)

2I love it when my blog obsessions overlap. In 1975 Brit Pop Star David Essex appeared on Cher's solo TV show (YouTube). Now he's released a book of poetry, Travelling Tinker Man & Other Rhymes. (The Independent)'

Charles Simic Displays a Poet’s Voice and His Passions (The New York Times review)

Tomas Tranströmer died last month at the age of 83

Poetry Drama

Stepson of poet Anne Cluysenaar receives life sentence for her murder (The Guardian)

Poet Lawrence Ferlinghetti laments changing San Francisco (PBS NewsHour)

The new Maya Angelou stamp quotes Joan Walsh Anglund by mistake (People Magazine)

Making Poetry Vibrant (and Not Complaining)

Miami poet R.M. Drake reinvigorates enthusiasm for poetry through Instagram (Miami Herald)

No One Cares About Poetry? Right. Check Out China's Vibrant Scene (1,200 years later, is Chinese poetry entering a new golden age?) (PRI)

'Sidewalk Poetry' Project To Take Literature To Cambridge Streets—Literally (The Artery)

Gentleman Poet’s Hunt & Light Kickstarts New Poetry Book (Dan's Papers)

Remembering Peggy Freydberg, a 107-Year-Old Poet Whose Career Was Just Getting Started (Vanity Fair)

Take a Poet to Lunch in April (My San Antonio)

     

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